AI-assisted workflows · Multi-format repurposing · Sydney

Multi-format repurposing

Repurposing has a bad name because most of it is reposting. Adapting a piece for a different channel means rewriting it for a different reader in a different mood, which is work, and it is worth it.

Grab the snowball. Give it a spin, and watch it grow as you scroll. Just like the reach.

1substantial piece as the source
9formats it can become
Adaptednot reposted with a new crop
Sydneywriters, editors and designers

The short answer

What is repurposing, and when is it just reposting?

Repurposing is taking one substantial piece of work and remaking it for other channels: an article becomes a video script, a carousel, a newsletter, a set of clips and a talk. Done properly each version is written for the reader of that channel.

It becomes reposting, which is what gives it a bad name, when the same text is pasted into four places with different image dimensions. That is not cheaper reach, it is the same message ignored in four places.

The test is whether somebody who saw the original would get anything from the second version. If not, it is a repost. Tools help with the mechanical conversion; the judgement about what changes per channel is a person's. It sits inside our wider AI-assisted workflows service, and because our Snowball SEO platform automates the search heavy lifting other agencies bill by the hour, more of your budget goes into the adapting.

The difference

What can one substantial piece actually become?

More than most businesses attempt, and the reason they do not is that nobody has ever written the list down. It is the same list every time.

What one substantial piece can becomeNine tiles listing what a single long article or recorded session can be adapted into: a newsletter, a carousel, short video clips, a talk or webinar, a set of social posts, an internal briefing, a sales one-pager, quote cards, and a podcast segment.1A newsletter2A carousel3Short clips4A talk5Social posts6An internal brief7A sales one-pager8Quote cards9A podcast segmentThe list barely changes between businesses. What changes is how many of them anyone actually makes, which is usually two.
Most businesses make two of these from a piece they spent three weeks on. The list is not a secret and the constraint is not creativity, it is that nobody owns the step after publishing.

What makes a version worth making

  • It is written for that channel's reader, not resized for its dimensions
  • It stands alone, so somebody who missed the original still gets value
  • It links back to the source, so the effort compounds somewhere you own
  • It says one thing, because a channel version carrying five ideas carries none

What makes it a repost

  • The same text with a different image size
  • An excerpt that stops mid-argument to force a click
  • A carousel that is the article's headings screenshotted
  • Anything a person who read the original would gain nothing from

On the strategy of what to publish where, our guide to content repurposing covers the argument; this page is the doing of it.

The cost

What drives the price of repurposing?

How many formats and how different they are from the source. Turning an article into a newsletter is close work; turning it into a video script is a rewrite.

A format set

Per source

One substantial piece adapted into an agreed set of formats, which is the usual arrangement and the easiest to judge.

A standing arrangement

Monthly

Every substantial piece you publish adapted as a matter of course, so the step after publishing stops being the one nobody owns.

Back catalogue

One-off

Your best existing pieces adapted, which is usually the fastest available return because the expensive part already happened.

We quote per source and format set after a free consult and a look at what you have published. See content repurposing for the strategy.

What moves the number, in order

  • How many formats, and how far each is from the source
  • Whether any of them need design or video production rather than writing
  • Whether the source is written, recorded or a live session
  • How many channels each format has to be sized and toned for
  • Whether a person appears on camera in the video versions
  • Whether we schedule and publish or hand over files

Start with the back catalogue

Almost every business sitting on three years of published work has more value in adapting the best twenty pieces than in producing anything new this quarter.

The research is done, the argument is made, the facts are checked. What remains is the part nobody got to, and it is the cheap part.

We will usually recommend that before a standing arrangement, because it produces a faster answer about whether repurposing works for your audience at all.

The scope

What you receive

Each version written for its channel, delivered ready to publish.

The adapted versions

Each one written for that channel's reader rather than resized for its dimensions, and each standing alone.

Correctly sized assets

Every format at the dimensions and lengths its channel actually enforces, which is dull and is where most repurposing falls over.

A publishing order

What goes out when, since publishing five versions on one day is the most common way to waste all of them.

Distinct openings

Each version with its own first line, because the opening is the whole audition and a shared one signals a repost.

Links back to the source

So attention lands somewhere you own rather than accumulating on a platform you rent.

What worked

Which formats earned their production time, so the next set is shaped by evidence rather than by habit.

The return

How much of the value is in the versions?

More than most people expect. The original usually reaches the smallest audience of any version made from it, which is a strange fact and a consistent one.

Where the audience for one piece actually comes fromA ring in three parts. A small share of total reach comes from the original piece itself. A larger share comes from the short social versions. The largest share comes from all the other adapted formats together: newsletter, clips, carousel, talk and the rest.Under a fifthof reach comes from the originalThe original pieceShort social versionsAll other formats
The piece everybody spent three weeks on typically reaches the smallest audience of anything made from it. That is the argument for the step after publishing, and it is the step almost nobody owns.

The step after publishing has no owner

Almost every content programme has somebody responsible for producing and nobody responsible for what happens next. The piece goes live, everyone moves to the next one, and eighty per cent of the available reach is left unclaimed.

It is not a skills problem or a budget problem. It is an ownership problem, and the fix is to make adaptation part of the definition of finished rather than a separate project somebody might get to.

So we build the format list into the brief at the start, which costs nothing and changes what gets made: a piece written knowing it will become nine things is structured differently.

The process

How repurposing runs

A week per source once the format set is agreed, faster on a standing arrangement.

Step 1

Agree the format set

Which formats, for which channels, for this kind of source. Decided once rather than negotiated per piece.

Step 2

Read for the pull-outs

The arguments, moments and lines worth building a version around, which is a judgement about the audience rather than an extraction.

Step 3

Adapt, do not excerpt

Each version rewritten for its reader, with its own opening and its own single point.

Step 4

Produce the assets

Design and video where the format needs it, at the dimensions the channel enforces.

Step 5

Sequence

A publishing order over weeks, because releasing everything at once wastes most of it.

Step 6

Read the results

Which formats earned their time, so the next set is shaped by what happened rather than by the list.

The brief

What to ask before you buy repurposing

Repurposing is sold by volume of outputs, which is precisely the wrong measure.

Will each version be rewritten or excerpted?

Excerpts that stop mid-argument to force a click are the most disliked format on any channel. Ask to see one version written properly.

Does each one stand alone?

Somebody who missed the original should get value from the version. If not, it is a trailer, and trailers do not build much.

What is the publishing order?

Releasing nine versions on one day wastes eight of them. Ask for a sequence over weeks and be suspicious if the answer is a single delivery date.

Should we start with the back catalogue?

For most businesses, yes, and a supplier who suggests it before a standing arrangement is telling you something useful about their priorities.

We are happy to answer all four and to look at what you have already published. See content repurposing for the strategy behind it.

Start here

Ready to use what you already made?

Send us the best thing you published this year. The free consult is a working session, not a sales call, and you leave with three things whether or not you book us.

  • The format list that piece could realistically become, with the ones not worth it removed
  • One version written properly, so you can judge adapting against reposting
  • A fixed price per source, and an honest read on whether the back catalogue comes first
Get your free repurposing plan

Good questions

Repurposing FAQs

What is content repurposing?

Taking one substantial piece and remaking it for other channels: an article becomes a newsletter, a carousel, clips, a talk and a set of posts. Done properly each version is written for that channel's reader rather than resized for its dimensions.

When is repurposing just reposting?

When the same text appears in four places with different image sizes. The test is whether somebody who saw the original would get anything from the second version. If not, it is a repost, and it is why the practice has a poor reputation.

How much does repurposing cost?

We quote per source and format set. What moves it is how many formats and how far each is from the source, whether any need design or video rather than writing, and whether we schedule and publish or hand over files.

How many formats can one piece become?

Nine is a realistic list for a substantial article or recorded session, and the list barely changes between businesses. What changes is how many anyone actually makes, which is usually two.

Should we start with new work or the back catalogue?

The back catalogue, for most businesses. The research is done, the argument is made and the facts are checked, so what remains is the cheap part, and it produces a faster answer about whether this works for your audience.

Do you use tools for this?

For the mechanical conversion and for finding the pull-outs, yes. The judgement about what changes for each channel's reader is a person's, and it is the only part that separates adapting from reposting.

When should each version be published?

Sequenced over weeks rather than released together. Publishing nine versions on one day is the single most common way to waste eight of them, and it happens because delivery and publishing get confused.

How do we know which formats are worth it?

Read the results and drop the ones that did not earn their production time. Most businesses keep making a format because it is on the list rather than because anybody engaged with it.